In fact, this was quite a ‘déjà vu’ occasion since we were there about eight years ago giving a very similar presentation. We have to thank the GLCGC members, and especially Maxine Burkhardt and Wally McDaniel, for the warm reception.
It has long been known that many collectors of iridescent glassware share interest in any glass having an iridescent treatment. We might favor or specialize in one form or another, but most have an example or two of another form—carnival collectors often have examples of stretch glass or brocaded glass and we know of a number of stretch glass collectors who have a number of pieces of carnival for example.
Such cross-over interest was the basis for Dave’s presentation. Dave, always the educator, began with his PowerPoint presentation to review the “basics” about how stretch glass is produced and how that technique differs from the production of carnival glass. To illustrate these production comparisons, he also made use of several of our videos from the SGS archives of SGS souvenir and whimsy production by the Fenton Art Glass Company. He also reviewed the stages of iridescent production by showing the epergne horn examples which were passed around among the audience.